Yorkshire sculpture Triangle is a massive part of the
Yorkshire art world. It consists of the Henry Moore Institute, The Hepworth Gallery
and Yorkshire sculpture Park. First of the collection of galleries that I
visited was the Hepworth, this gallery is based around sculpture, as are the
other two. The exhibition which was happening at the time didn't particularly
interest me as I'm not massive fan of sculpture. Although I did take the time
to look round all of the exhibitions, take images for future visual reference;
I think this is an important factor and the stick art space within your
surrounding areas to know what is happening within the creative community
around you. As can be seen below majority of the sculpture was conceptual, all
of the Yorkshire sculpture Triangle can be considered as modern conceptual art
galleries.
Yorkshire sculpture Park, was a vast area which sculptures
embodying the artist’s concept were displayed in great magnitude, none of which
being on small-scale. Seeing the sculptures outside allowed the audience to be
more interactive with them, due to the open surroundings. Rather than being in
a gallery space and told not to touch them, people interacted physically with
them, I saw myself people climbing on them, and interacting with their form.
This allows you to look at the sculptures in a different way; gaining an
interactive perspective of the art work.
The Henry Moore Institute is again a conceptual sculpture
gallery, which houses various exhibitions within Leeds. I recently visited the
Votives exhibition by Alkesandra Domanovic, the exhibition consists of two main
types of sculpture, the first being a series of women's arms holding offerings,
the second stacks of A4 paper human height off the ground, with images printed
on the side. The artist specialises in a folding aesthetic of classical
sculpture investigation into how developing technology relates to the societies
that create it.
although not being the biggest fan of sculpture I found
visiting all of these galleries and enjoyable experience and it allowed me to
interact with the Leeds creative community, which is one of my aims for this
year, therefore I will continue to do so as new and exciting exhibitions come
to Leeds. I believe this is important because I believe that visual context
influences my work, and it is of grave importance to understand the creative
needs of the environment that you are designing in.
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